---
product_id: 2167408
title: "The Civil Wars"
price: "SAR 120"
currency: SAR
in_stock: true
reviews_count: 13
url: https://www.desertcart.com.sa/products/2167408-the-civil-wars
store_origin: SA
region: Saudi Arabia
---

# The Civil Wars

**Price:** SAR 120
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- **What is this?** The Civil Wars
- **How much does it cost?** SAR 120 with free shipping
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## Description

The Civil Wars' highly anticipated sophomore self-titled album is the follow up to the three-time Grammy Award-winning duo's acclaimed debut, Barton Hollow. The Civil Wars was recorded in Nashville between August 2012 and January 2013. Charlie Peacock was once again at the helm as producer for the album. Additionally, Rick Rubin produced the duo's performance for the track "I Had Me a Girl" in August of 2011. Peacock later completed the track by producing the instrumentation and mix. The album was recorded amidst a grueling touring schedule, exhausting workload and a growing disconnect from their families. Personal statements from band-members Joy Williams and John Paul White can be viewed at the band's official website.

Review: Hauntingly Beautiful - After endlessly streaming this album over a week, I can safely say that I love this album just as much as Barton Hollow. I agree with the previous reviewer that The Civil Wars is definitely an album that compliments Barton Hollow rather than trying to outdo it. The artists are clearly trying to push a few new boundaries, yet still stay in their (and our) comfort zone. Saying that, it's still a departure from the easy harmonious vocals of Barton Hollow and, while still blending beautifully vocally, this sophomore album reflects the strife between both artists. It's amazing to me that even while at odds, Joy and John Paul still manage to complement each other in every song and make beautiful music together - almost unwillingly. 1) The One That Got Away - This is first single they streamed from this album, and my initial reaction was that I wouldn't like this song since it's different from their previously playful acoustic work, but with repeated listens, I love this song. From the soft, ominous instrumental buildup at the beginning to the angry back and forth between Joy and John Paul, this song is essentially an introduction to the overall feel of the album. Yes, folks. There is a battle going on in the land of The Civil Wars. 2) I Had Me a Girl - This song is rock and roll sexy! John Paul flexes his vocals in this one. There's chaos in this song and the guitar riffing is strong. If "I've Got This Friend" from Barton Hollow was about a kindergarten crush, "I Had Me a Girl" is the sexy one-night stand version of it. 3) Same Old Same Old - I can't help but feel sad listening to this song. The sense of longing and weariness is overwhelming. You feel tired but you want to stay, you'll miss it but you have to go. Joy keeps saying that if you want to know what happened to the band, listen to the album. And the sense I keep getting is that they want to stay together but can't. But it also doesn't mean they value what they have/had any less. 4) Dust to Dust - Ashes to Ashes, Dust to Dust...is this a goodbye song? If Same Old Same Old made me feel sad, this one makes me feel wistful in remembrance of what was. I feel that this song talks about the loneliness that set in while Joy and John Paul were on the road - specifically John Paul. It must have been hard for him to see a happily married couple day after day while his wife and kids were at home. The sense of loneliness he felt must have been overwhelming and Joy, being on the same wavelength, seems to have felt it too. Being on stage and creating a sense of intimacy with a musical partner gets harder and harder to do when you're not with your loved ones. 5) Eavesdrop - Hands down my favorite song on the album. Not acoustic, but any instrument added has a perfect purpose. Such a beautiful love song. The message - "I'm tired of arguing. Let's just hold each other and enjoy this moment together - who cares what other people say?" One thing I've learned about The Civil Wars is that their lyrics are multi-faceted. While this applies to any couple who are always in conflict, it can also apply to them as a band. "Don't say that it's over. Let's just enjoy the moment. Who says that this has to end?" This song gives me some hope that this may not be the end for them. 6) Devil's Backbone - Another departure of their usual soft sounds, this is a wailing, angry anthem of self-blame. If Joy wants to squelch speculation of something going on between her and John Paul, this song doesn't help. Strong guitars and Joy's vocals carry this one. I will admit that I got chills listening to this as a video intro to their album promotion video ;-) 7) From This Valley - I've loved this song forever. After seeing them perform this on YouTube, this song has an uplifting feeling and their perfectly matched vocals are awesome on this song. A great, fun song. I hope they get back to that. 8) Tell Mama - I will have to admit. This song makes me sleepy lol. This song is this album's "I Want You Back". They take an upbeat song and totally make it their own. The singing is soft, dark and beautiful. But I'm still sleepy ;-) 9) Oh Henry - This is a happy song that they performed live on the road for quite some time. It's a knee-slapping fun song. It definitely has a folksy feel to it and gives a welcome break from the sometimes somber feel of the other songs of the album. 10) Disarm - I'm torn about this one. I love the Smashing Pumpkins' original "Disarm", and The Civil Wars have turned it into a beautiful lullaby. I am glad they put this on tape though. It just showcases how perfectly Joy and John Paul are able to harmonize. My husband, a hardcore SP lover, isn't much of a fan though ;-) 11) Sacred Heart - Another favorite song on this album. I know ZERO French. But it's a beautiful language, and this is an equally beautiful song. I know I'm saying beautiful a lot but hey - I'm calling it as I sees it :-) It reflects sad longing with soft guitar strumming in the background. Awesome. 12) D'Arline - This is a raw cut of a song they recorded on Joy's iPhone. If you read the lyrics, they're quite romantic. Even with this rough draft, it's apparent that these two have more talent in their pinky fingers than many artists out there who rely on auto-tune and over-production. Like the song itself, let's hope that this song is deliberately placed as a last song to convey the message that they are a rough draft as well and we can look forward to a final masterpiece. If you're looking for a Barton Hollow 2, you won't find it here, though there is some similarity. Whether or not The Civil Wars come together again to make a 3rd album is anyone's guess. However, I will follow "Eavesdrop" `s message and enjoy the music that we have been given in the here and now. Thank you, The Civil Wars!!
Review: A gift in a time of tension - Standing in the shadow of Barton Hollow and a reputation for matchless live performances, The Civil Wars have made this a difficult album to review. Without a doubt, Barton Hollow stirred a furor in fans of TCW, and the industry, as rapid as its rise to popularity and critical praise. To watch TCW live for many of us was to relive moments that hang endlessly in time, moments that cease to be only memories but a part of us that stirs back to the moment as if it were present. Listening to Barton Hollow and watching TCW perform live to me was to be a part of an experience. Like laying on beachside under the stars, breathing salty air, feeling the mist of the ocean lightly spraying, hearing the rustle of thistle grass, experiencing the smell of the sand mixing into the ocean, the breeze raising the hairs on your arm---the purity of experiencing these moments, knowing that they can never be relived quite the same as they are in that fleeting second, but also knowing that pure moment would be ingrained to relive and compare every subsequent star filled sky---these are the feelings Barton Hollow and a live TCW experience conjured in me, with Barton Hollow still conjuring those moments with each listen. It is due to that that this album is difficult to rate. Sonically, musically, it is beautiful, in my opinion worthy of another Grammy. Emotionally, in light of what Barton Hollow was, it stands overshadowed. Many fans of TCW ache at the thought of the fleeting moment of their unique partnership, a Big Bang of sorts, coming to termination. It seems obvious that ache isn't something the fans alone share. It is easy to hear it on this album. There's a longing for rebuilding, for forgiveness, but a pensiveness about approaching it. Distraction abounds---John Paul's voice carrying with it a tenor of distance over the all-in presence of before, a sort of dutiful involvement, seemingly with only enough strength for the guitar; Joy seems to be reaching for the coy playfulness and elation from Barton Hollow, sacrificing emotion for volume. Tension behind the scenes is palpable. It is obvious that both attempt to reach backward in their own way for the past, John Paul with energy poured into the guitar, Joy raising her voice in hope the feelings follow, yet a gap remains in that reaching. I can't help but compare it to Barton Hollow in the same way I'd compare the same beautiful night experienced laying oceanside to one experienced driving in a car; both carry a beauty, but only can be experienced. Yet, despite this, for those whose experience with TCW is more casual, for those hearing them for the first time, there is no sense of tension, no sense of longing or heaviness in the music for what was, no sense of fulfilling obligation. Instead, there is real, focused, beautiful music to be hear. This album, its strong tones of "what if?", is something everyone can relate to. These lyrics can cull emotions, memories, tears, reflection for anyone, even if the experience of TCW cannot stir with this album the same way it could with Barton Hollow. It is still an album that is strong, that is relatable, that will constantly be part of my rotation. TCW should be proud of this album. Despite their professional and personal turmoil, they have produced something beautiful. It is only my hope that out of that pride and an obvious desire to reach for what once was, TCW is able to reconcile and rekindle the unique gift they have together. If not, this album, like Barton Hollow, is a gift I am thankful for.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN  | B00DBRT57S |
| Best Sellers Rank | #29,805 in CDs & Vinyl ( See Top 100 in CDs & Vinyl ) #687 in Folk Rock (CDs & Vinyl) #1,388 in Folk (CDs & Vinyl) #12,667 in Pop (CDs & Vinyl) |
| Customer Reviews | 4.7 4.7 out of 5 stars (1,030) |
| Date First Available  | June 11, 2013 |
| Is Discontinued By Manufacturer  | No |
| Item model number  | 27147913 |
| Label  | Sony Legacy |
| Language  | English |
| Manufacturer  | Sony Legacy |
| Number of discs  | 1 |
| Original Release Date  | 2013 |
| Product Dimensions  | 5.52 x 4.36 x 0.27 inches; 1.76 ounces |
| Run time  | 43 minutes |

## Images

![The Civil Wars - Image 1](https://m.media-amazon.com/images/I/71sAZTMEc3L.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ Hauntingly Beautiful
*by B***N on August 6, 2013*

After endlessly streaming this album over a week, I can safely say that I love this album just as much as Barton Hollow. I agree with the previous reviewer that The Civil Wars is definitely an album that compliments Barton Hollow rather than trying to outdo it. The artists are clearly trying to push a few new boundaries, yet still stay in their (and our) comfort zone. Saying that, it's still a departure from the easy harmonious vocals of Barton Hollow and, while still blending beautifully vocally, this sophomore album reflects the strife between both artists. It's amazing to me that even while at odds, Joy and John Paul still manage to complement each other in every song and make beautiful music together - almost unwillingly. 1) The One That Got Away - This is first single they streamed from this album, and my initial reaction was that I wouldn't like this song since it's different from their previously playful acoustic work, but with repeated listens, I love this song. From the soft, ominous instrumental buildup at the beginning to the angry back and forth between Joy and John Paul, this song is essentially an introduction to the overall feel of the album. Yes, folks. There is a battle going on in the land of The Civil Wars. 2) I Had Me a Girl - This song is rock and roll sexy! John Paul flexes his vocals in this one. There's chaos in this song and the guitar riffing is strong. If "I've Got This Friend" from Barton Hollow was about a kindergarten crush, "I Had Me a Girl" is the sexy one-night stand version of it. 3) Same Old Same Old - I can't help but feel sad listening to this song. The sense of longing and weariness is overwhelming. You feel tired but you want to stay, you'll miss it but you have to go. Joy keeps saying that if you want to know what happened to the band, listen to the album. And the sense I keep getting is that they want to stay together but can't. But it also doesn't mean they value what they have/had any less. 4) Dust to Dust - Ashes to Ashes, Dust to Dust...is this a goodbye song? If Same Old Same Old made me feel sad, this one makes me feel wistful in remembrance of what was. I feel that this song talks about the loneliness that set in while Joy and John Paul were on the road - specifically John Paul. It must have been hard for him to see a happily married couple day after day while his wife and kids were at home. The sense of loneliness he felt must have been overwhelming and Joy, being on the same wavelength, seems to have felt it too. Being on stage and creating a sense of intimacy with a musical partner gets harder and harder to do when you're not with your loved ones. 5) Eavesdrop - Hands down my favorite song on the album. Not acoustic, but any instrument added has a perfect purpose. Such a beautiful love song. The message - "I'm tired of arguing. Let's just hold each other and enjoy this moment together - who cares what other people say?" One thing I've learned about The Civil Wars is that their lyrics are multi-faceted. While this applies to any couple who are always in conflict, it can also apply to them as a band. "Don't say that it's over. Let's just enjoy the moment. Who says that this has to end?" This song gives me some hope that this may not be the end for them. 6) Devil's Backbone - Another departure of their usual soft sounds, this is a wailing, angry anthem of self-blame. If Joy wants to squelch speculation of something going on between her and John Paul, this song doesn't help. Strong guitars and Joy's vocals carry this one. I will admit that I got chills listening to this as a video intro to their album promotion video ;-) 7) From This Valley - I've loved this song forever. After seeing them perform this on YouTube, this song has an uplifting feeling and their perfectly matched vocals are awesome on this song. A great, fun song. I hope they get back to that. 8) Tell Mama - I will have to admit. This song makes me sleepy lol. This song is this album's "I Want You Back". They take an upbeat song and totally make it their own. The singing is soft, dark and beautiful. But I'm still sleepy ;-) 9) Oh Henry - This is a happy song that they performed live on the road for quite some time. It's a knee-slapping fun song. It definitely has a folksy feel to it and gives a welcome break from the sometimes somber feel of the other songs of the album. 10) Disarm - I'm torn about this one. I love the Smashing Pumpkins' original "Disarm", and The Civil Wars have turned it into a beautiful lullaby. I am glad they put this on tape though. It just showcases how perfectly Joy and John Paul are able to harmonize. My husband, a hardcore SP lover, isn't much of a fan though ;-) 11) Sacred Heart - Another favorite song on this album. I know ZERO French. But it's a beautiful language, and this is an equally beautiful song. I know I'm saying beautiful a lot but hey - I'm calling it as I sees it :-) It reflects sad longing with soft guitar strumming in the background. Awesome. 12) D'Arline - This is a raw cut of a song they recorded on Joy's iPhone. If you read the lyrics, they're quite romantic. Even with this rough draft, it's apparent that these two have more talent in their pinky fingers than many artists out there who rely on auto-tune and over-production. Like the song itself, let's hope that this song is deliberately placed as a last song to convey the message that they are a rough draft as well and we can look forward to a final masterpiece. If you're looking for a Barton Hollow 2, you won't find it here, though there is some similarity. Whether or not The Civil Wars come together again to make a 3rd album is anyone's guess. However, I will follow "Eavesdrop" `s message and enjoy the music that we have been given in the here and now. Thank you, The Civil Wars!!

### ⭐⭐⭐⭐⭐ A gift in a time of tension
*by J***. on August 15, 2013*

Standing in the shadow of Barton Hollow and a reputation for matchless live performances, The Civil Wars have made this a difficult album to review. Without a doubt, Barton Hollow stirred a furor in fans of TCW, and the industry, as rapid as its rise to popularity and critical praise. To watch TCW live for many of us was to relive moments that hang endlessly in time, moments that cease to be only memories but a part of us that stirs back to the moment as if it were present. Listening to Barton Hollow and watching TCW perform live to me was to be a part of an experience. Like laying on beachside under the stars, breathing salty air, feeling the mist of the ocean lightly spraying, hearing the rustle of thistle grass, experiencing the smell of the sand mixing into the ocean, the breeze raising the hairs on your arm---the purity of experiencing these moments, knowing that they can never be relived quite the same as they are in that fleeting second, but also knowing that pure moment would be ingrained to relive and compare every subsequent star filled sky---these are the feelings Barton Hollow and a live TCW experience conjured in me, with Barton Hollow still conjuring those moments with each listen. It is due to that that this album is difficult to rate. Sonically, musically, it is beautiful, in my opinion worthy of another Grammy. Emotionally, in light of what Barton Hollow was, it stands overshadowed. Many fans of TCW ache at the thought of the fleeting moment of their unique partnership, a Big Bang of sorts, coming to termination. It seems obvious that ache isn't something the fans alone share. It is easy to hear it on this album. There's a longing for rebuilding, for forgiveness, but a pensiveness about approaching it. Distraction abounds---John Paul's voice carrying with it a tenor of distance over the all-in presence of before, a sort of dutiful involvement, seemingly with only enough strength for the guitar; Joy seems to be reaching for the coy playfulness and elation from Barton Hollow, sacrificing emotion for volume. Tension behind the scenes is palpable. It is obvious that both attempt to reach backward in their own way for the past, John Paul with energy poured into the guitar, Joy raising her voice in hope the feelings follow, yet a gap remains in that reaching. I can't help but compare it to Barton Hollow in the same way I'd compare the same beautiful night experienced laying oceanside to one experienced driving in a car; both carry a beauty, but only can be experienced. Yet, despite this, for those whose experience with TCW is more casual, for those hearing them for the first time, there is no sense of tension, no sense of longing or heaviness in the music for what was, no sense of fulfilling obligation. Instead, there is real, focused, beautiful music to be hear. This album, its strong tones of "what if?", is something everyone can relate to. These lyrics can cull emotions, memories, tears, reflection for anyone, even if the experience of TCW cannot stir with this album the same way it could with Barton Hollow. It is still an album that is strong, that is relatable, that will constantly be part of my rotation. TCW should be proud of this album. Despite their professional and personal turmoil, they have produced something beautiful. It is only my hope that out of that pride and an obvious desire to reach for what once was, TCW is able to reconcile and rekindle the unique gift they have together. If not, this album, like Barton Hollow, is a gift I am thankful for.

### ⭐⭐⭐⭐⭐ Devastation of a Southern Gothic Musical Marriage Leads to Poetic Brilliance
*by A***N on August 6, 2013*

As of August 2013, the Civil Wars are no more. They are no longer speaking to each other, and are indefinitely broken up. It has been speculated at length as to the nature of Joy Williams and John Paul White's breakup--whether in fact it was a romantic breakup despite both being married to other people, or artistic differences that could not be resolved. One cannot help but listen to this album and to think it's probably both, although the romantic feelings may have stayed emotional and never a full blown physical affair. If their breakup was necessary to create this album though, then I would say it was worth it. Intensely intimate and honest, there is a tortured beauty in the heavenly tones of Joy and John Paul's harmonies. Moments like this happen just once. The album starts off with the single "The One That Got Away", an impassioned story of regret that showcases Joy and has John Paul singing background to her. Then on the next track, the brooding innuendo laced "I Had Me a Girl", John Paul essentially sounds as if he's answering Joy. This really sets this album apart from their first, in that the music is two people singing to each other instead of with each other. Joy and John Paul are alternatingly smolderingly furious and resignedly fatigued, but always controlled, paying attention to their pitch perfect harmonies. While there are those moments of breathtaking harmonies like on "Eavesdrop", Joy does seem featured quite a bit more on this album than on their debut. This is a little unfortunate, as Joy's exquisitely pure voice often needs John Paul's raspier vocals to pull it away from coming across as rather melodramatic. Still, I think the balance is more or less there on most of the songs. However, if you're predominately a fan of John Paul's voice--then this will be a big disappointment even though you can feel his influence probably more than on their debut through the music. Musically, this album infuses more Americana and rock into the Civil War's brand of largely acoustic driven folk/country/gospel. The music has a more aggressive ominous tone to match the heightened emotional stakes with drums and an electric guitar added on several songs making this album sonically different from their debut. Not surprising given John Paul's previous stint as a failed rock artist. This album also sees the inclusion of two covers, "Tell Mama" by Etta James and "Disarm" by Smashing Pumpkins. Strangely, it's the cover of "Disarm" that is one of the album showstoppers with a perfection that comes from the pair having performed it for years for live audiences. Also, the modern day hymn "From This Valley" serves as a nice respite in the middle of the drama providing a glimpse of the way Joy and John Paul used to be. At times, the album is a little uncomfortable to hear. It's almost as if you've been peeping into your arguing neighbors' window sort of enjoying the entertainment--but then witness them stab each other, and suddenly everything becomes deadly somber and almost claustrophobic. While Joy at least is willing to talk about the album--and has said that the imagery used is just that--poetic imagery, you can hear that it's more. You can feel it, see it. While I recognize the exquisite "The Devil's Backbone" is their purposeful take on an Americana murder ballad--you can't help but think the opening lines are truer than either Joy or John Paul will admit, "Oh Lord, Oh Lord, What have I done..." This is not a breakup album--it's a Southern Gothic tragedy played out through music. It's quiet. Loud. Desperate. Remorseful. Accusatory. Seductive. It's two excellent solo artists realizing that they will probably never again taste the type of magic that happens only when they're together, and broken that they just can't be together anymore. In my opinion, the album of the year.

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