---
product_id: 1780428
title: "TC Electronic M-350 Reverb and Effects Processor for Stage and Studio"
brand: "tc electronic"
price: "SAR 116"
currency: SAR
in_stock: false
reviews_count: 11
url: https://www.desertcart.com.sa/products/1780428-tc-electronic-m-350-reverb-and-effects-processor-for-stage
store_origin: SA
region: Saudi Arabia
---

# Comprehensive I/O MIDI control 256 presets TC Electronic M-350 Reverb and Effects Processor for Stage and Studio

**Brand:** tc electronic
**Price:** SAR 116
**Availability:** ❌ Out of Stock

## Summary

> 🎶 Elevate Your Sound Game with the M-350!

## Quick Answers

- **What is this?** TC Electronic M-350 Reverb and Effects Processor for Stage and Studio by tc electronic
- **How much does it cost?** SAR 116 with free shipping
- **Is it available?** Currently out of stock
- **Where can I buy it?** [www.desertcart.com.sa](https://www.desertcart.com.sa/products/1780428-tc-electronic-m-350-reverb-and-effects-processor-for-stage)

## Best For

- tc electronic enthusiasts

## Why This Product

- Trusted tc electronic brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **MIDI Mastery:** Sync your sound with MIDI in/out and tap tempo control for precise timing and performance.
- • **Seamless Integration:** Easily control and edit parameters in any VST environment for a streamlined workflow.
- • **Unleash Your Creativity:** With 256 factory presets and 99 user presets, the M-350 is your ultimate sound playground.
- • **Versatile Effects Selection:** From classic halls to modern modulation, explore a wide range of reverb and effects tailored for every audio source.
- • **Flexibility at Your Fingertips:** Front panel access to all effects ensures you can adapt on the fly, no matter the situation.

## Overview

The TC Electronic M-350 is a versatile reverb and effects processor designed for both stage and studio use, featuring a selection of 256 factory presets, 99 user presets, comprehensive I/O options, and MIDI control capabilities, making it an essential tool for any audio professional.

## Description

M350 is an extremely user-friendly dual engine rack processor equally suited for live and studio applications. It combines 15 brand-new TC-quality reverbs with 15 multi-purpose effects including delay, modulation and compression. Studio engineers and recording musicians will benefit from the AU/VST compatible software editor, which allows for seamless control and editing integration with DAW systems. Through the included software editor, parameters and preset recalls may be fully automated or real-time controlled.

Review: Higher Quality than the Rest in this Price Range - Buy this one....I have owned similar rack effects from Alesis, Lexicon and Behringer. The Alesis Midiverb 4 sounds gorgeous and wins for convenience with its automatic I/O levels feature, but don't bump it or dysfunction could greet you quickly due to its less than solid build quality. The Lexicon unit was always in overdrive and otherwise impossible to set gains to within acceptable levels in either a guitar rack configuration or studio mix/mastering setup...it sounded thin and uninviting otherwise. I gave up and shoved it into electronics recycling. The new Behringer lasted two hours during which time I didn't hear anything happening at all, yep, no signal processing period.(a cool looking 3D-FX2000 supersonic-wiz-bang), (I also have a Behringer DEQ9624 which is awesome but the first one was also DOA...GGRRRROWL). The sub $300 price point offers toys almost like the real thing yet not capable of real results in many cases. I own much higher priced units from all of the manufactures mentioned and by comparison they are all pro and all work.($300-$1200 range) Currently, Behringer quality control is cause for trepidation. (Finger crossed). I also use RME-AUDIO sound cards permanently and no motherboard sound features at all. I have used a TC Electronics Finalizer Express for years, because it always works and sounds incredible every time. I spent less than 15 minutes setting up this TC Electronics M-350 using the AES XLR digital I/O. I then sent some track material through it. WHAT! EYES BUGGING OUT... OMG, Even set to defaults it resolved issues on tracks I have tried all conceivable methods to fix previously including using multi hundred dollar plug-ins. The build quality is solid offering precise controls. Turn any knob and you can actually hear an audible result across the full spectrum pro-studio audio capability. The complete compliment of robust pro-audio algorithms sound great and all work. The control logic is simple and includes a downloadable front-end application which can be used on your DAW to control parameters via MIDI. HURRAY AGAIN! ( Water-cooled and rack mounted, Gigabyte 990FX UD-3 w/Gigabyte Ultra-durable Radeon 256 bit GPU, a smokin fast and wide AMD FX 8150 Zambezi 8-Core, workhorse Crucial SSD's and WD Black-Edition storage, 16 Gigabytes Crucial Tactical Tracer 1600 RAM, Arctic Cooling PWM fans, Kingwin Striker Platinum fanless Power Supply, currently processing Windows 8 hosted multi-tracking Reaper and ADOBE Graphics A/V software's. Eats blue logo based systems for breakfast.) I proceeded to start programming some user presets by using my favorite VST plug-in settings as reference templates and voila, things that started as cool ideas on the desktop but suffered from VST plug-in limits suddenly came to life without the geek factor or DAW digital-true grit drama. For the price I am thrilled with the results so much that I have remastered 5 CD projects (about 70 tracks) over so far just to become familiar with the M-350. (Electronica, HipHop, Progressive Jazz, Rock, Metal, Acoustic Guitar, Female Vocals) What I am enjoying is far less toil to produce warm and exciting masters characterized by great-sounding stage presence with great instrument localization and projection encapsulated in well controlled musical sounding digital audio masters,...TC Electronics Forever!!! (Marching sounds). I am suddenly so happy:-)
Review: Solid "entry level" effects processor. - Who IS this guy, and why does he care about the M350? I've been a semi-professional live musician for many years, mostly low-key, "house of worship" stuff, but there was also a time when I actually toured the US and Canada as a rhythm guitar player with a contemporary Christian music group. I've never fussed much with big banks of guitar or vocal effects, because the kind of music I do generally doesn't require them. However, in more recent years, I find myself doing a bit more live PA work, both for myself and for other musicians/singers, so my interest in these accessories has increased. What I started looking for in particular was a very simple, rackmount effects processor that would just allow me to do a bit more by way of "warming up" live vocals, e.g., reverb, delay and compression. Studio vs. Stage With the explosion of digital recording and "post-production" processing of every kind of media imaginable, something of a split has occurred in the huge variety of audio signal processors available in the market, e.g., between platforms designed for highly controlled, computerized studio and "post-production" work, and platforms designed for "real time" stage and live performance. The TC Electronics M350 can be used in either setting, but its rackmount format and system of external knobs and buttons for control of all its functions is really ideal for "dinosaurs" like me, who don't want to have to haul a laptop computer around just to add a reverb and effects loop to a few channels on their mixer in a live setting. This review is written for all you live stage techs and analog dinosaurs out there who are looking for the same thing, and don't want to negotiate an animated replica of a control panel on a computer screen, or a baffling array of "soft-keys" and LCD/plasma menus whenever you want to change effects or kick the gain up a notch. I'm here to tell ya, the TC Electronic M350 fits that bill. What the heck does "dual engine" mean? The M350 is a true "dual engine" device. That means it has two distinct signal processors combined in one unit. One of these processors is dedicated to "effects" and the other one is dedicated to "reverb." That also means that when the M350 is hooked up to the right kind of mixer (e.g., one that has at least two separate "aux" inputs/sends available to dedicate to "efx"), the amount of "effects" and "reverb" you're applying to any particular sound source can be separately controlled at the mixer. The nature, sound and character of the signal processing itself still has to be selected and controlled from the face of the M350. For those of you that don't have such a mixer, or only one aux send available for "efx," you can still access both "engines" in the M350 by setting it up in serial or parallel mode, running both effects through a single aux send/return, and controlling the balance between, and amount of signal processing by each of the individual "engines" from the face of the M350. The effects "engine" On the effects side, the M350 provides a total of 15 distinct effects, with potential applications to both instruments and vocals, including several unique delays, chorus, phaser, flange, compression and de-essing. Each of these individual effects can be modified to suit individual tastes, assigned a number between 1 and 99, saved in the M350's memory as a user preset, and then later recalled on demand. Don't be intimidated by all the jargon, however. This thing couldn't be any easier to use. Getting any one effect up and running is as simple as turning the selector knob to the effect you want to hear, and putting the adjustment knobs at 12 o'clock. At this setting, you'll hear the "default" effect, or what the factory guys consider a basic example of the effect you selected. You can then use the adjustment knobs to tinker with this sound if you wish, or if you think the "default" sound is fine, just leave it alone and enjoy. The functions of the adjustment knobs automatically vary, depending on the effect you've selected. There's even a "tap" button on the face of the M350 that allows you to synchronize the timing of your chosen delay with your "real time" playback. Nice touch. The only problem I noted with the multiple effects provided with the M350 is the fact that you can't combine any of them. You may select and use only one effect at a time. That's not surprising for an "entry level" effects processor like the M350, but it's kind of sad, since many of these are effects you might like to combine, like continuous compression and de-essing on a vocal track/channel, or continuous delay and chorus on a keyboard or guitar. In this particular configuration, however, the only way to combine effects in "real time" is to have multiple M350's in your effects loop. I took off one rating "star" for this limitation, but I admit it could just fall into the "you get what you pay for" category, and not necessarily be a legitimate basis for complaint. The reverb engine. The "reverb" side of the M350 operates in the same way as the "effects" side, but the reverbs are really what this gizmo is all about ... a total of 15 "canned" reverb formats, easy to select, use and modify. Check out the detail of the M350's faceplate on the TC Electronic website, if you'd like to see the manufacturer's descriptions of its individual reverb or effects settings. I've tried most of the "default" reverbs through a typical PA/mixer set up, and I thought they were great ... quiet, clean and polished. If you're like me, and just want the ability to quickly and simply put a touch of quiet, quality reverb into any channel on your mixer, you WILL be happy with this product. The M350 and MIDI While you can only access one distinct effect or reverb at a time in either of the two processing engines found on the M350, the device is MIDI-compatible, and can receive/send signal in either digital or analog format, so I assume that anyone who wants to incorporate the M350 into some kind of computerized sequencing system can alternate effects and settings in a single playback through a series of MIDI commands, with the same limitation, however. MIDI may allow you to jump from effect to effect, or from reverb to reverb in a single playback track, but you'll still only get one effect/reverb at a time out of the M350. Using MIDI to control a device like the M350 is far too complex a subject to talk about in any detail here ... it's just good to know you can do it if that's your thing. The bottom line. The M350 lists at $249, but most of the major music retailers I looked at offer it at $200, which I consider a decent value. If that's a bit rich for your blood, you can probably find a used one for a little less on E-bay, and most of those will be indistinguishable from a new unit, as there really isn't much that can be damaged or fail on a unit that's been properly used in a typical rackmount application. The M350 is solidly constructed, lightweight, provides an effects loop that's silent as a grave, easy to use, looks really cool in your rack, and its connection options, effects and reverbs are all great. Most amateur/casual users will never need much more than what this thing has to offer, and even pros will find it useful for limited applications ... like monitor feeds for those insecure prima donnas who just can't seem to drag themselves on stage without a little "post-EQ" delay and reverb added to their voice ... For me, this gizmo fit the bill in every respect, and if your goals/needs are similar to mine, I think you'll be satisfied with the M350 too.

## Features

- Choice Selection of Effects: classic TC hall, cathedral, ambience, room as well as plates and springs, and the comprehensive effects section includes a number of essential compression, modulation and delay variations.
- 256 factory presets cover a wide range of applications and audio sources and enable you to use the M350 right out of the box; also allows for 99 additional user presets, for a total of 355 presets
- Easy front panel access for all reverb and effect types and parameters to ensure maximum flexibility in any given situation
- Through the included software, the user can control and edit the M350’s parameters stand-alone and in any VST environment
- Features a comprehensive I/O, an easy-to-read preset display, and provides MIDI in/out, MIDI clock tempo sync, pedal control of tap tempo, and global bypass

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B001R5G70O |
| Amperage | 100 Milliamps |
| Audio Output Effects | Reverb |
| Best Sellers Rank | #311,328 in Musical Instruments ( See Top 100 in Musical Instruments ) #42 in Digital Reverb & Delay Effects |
| Brand | TC Electronic |
| Brand Name | TC Electronic |
| Color | Silver |
| Connector Type | 1/4 inch (6.35mm) audio jack, AC power connector |
| Controls Type | Knob |
| Customer Reviews | 4.0 out of 5 stars 53 Reviews |
| Global Trade Identification Number | 05706622007810, 05706622007827 |
| Hardware Interface | 1/4-inch Audio |
| Included Components | Software editor |
| Item Dimensions | 19 x 8.2 x 1.75 inches |
| Item Weight | 4.1 Pounds |
| Manufacturer | TC Electronics |
| Manufacturer Part Number | M-350 |
| Model Name | {FEEDTITLE} |
| Model Number | 965200011 |
| Power Source | Corded Electric |
| Set Name | Effect Type/Application Sets |
| Signal Format | Analog |
| Style | Compact |
| UPC | 750408410214 133587615548 570662007810 |
| Voltage | 9 Volts |
| Warranty Description | 1 year parts and labor. |

## Product Details

- **Brand:** TC Electronic
- **Style:** Compact
- **Item Weight:** 4.1 Pounds
- **Voltage:** 9 Volts
- **Amperage:** 100 Milliamps

## Images

![TC Electronic M-350 Reverb and Effects Processor for Stage and Studio - Image 1](https://m.media-amazon.com/images/I/41fZ+X2RogL.jpg)
![TC Electronic M-350 Reverb and Effects Processor for Stage and Studio - Image 2](https://m.media-amazon.com/images/I/416XHoleK+L.jpg)
![TC Electronic M-350 Reverb and Effects Processor for Stage and Studio - Image 3](https://m.media-amazon.com/images/I/5113NnV141L.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ Higher Quality than the Rest in this Price Range
*by S***Y on August 23, 2012*

Buy this one....I have owned similar rack effects from Alesis, Lexicon and Behringer. The Alesis Midiverb 4 sounds gorgeous and wins for convenience with its automatic I/O levels feature, but don't bump it or dysfunction could greet you quickly due to its less than solid build quality. The Lexicon unit was always in overdrive and otherwise impossible to set gains to within acceptable levels in either a guitar rack configuration or studio mix/mastering setup...it sounded thin and uninviting otherwise. I gave up and shoved it into electronics recycling. The new Behringer lasted two hours during which time I didn't hear anything happening at all, yep, no signal processing period.(a cool looking 3D-FX2000 supersonic-wiz-bang), (I also have a Behringer DEQ9624 which is awesome but the first one was also DOA...GGRRRROWL). The sub $300 price point offers toys almost like the real thing yet not capable of real results in many cases. I own much higher priced units from all of the manufactures mentioned and by comparison they are all pro and all work.($300-$1200 range) Currently, Behringer quality control is cause for trepidation. (Finger crossed). I also use RME-AUDIO sound cards permanently and no motherboard sound features at all. I have used a TC Electronics Finalizer Express for years, because it always works and sounds incredible every time. I spent less than 15 minutes setting up this TC Electronics M-350 using the AES XLR digital I/O. I then sent some track material through it. WHAT! EYES BUGGING OUT... OMG, Even set to defaults it resolved issues on tracks I have tried all conceivable methods to fix previously including using multi hundred dollar plug-ins. The build quality is solid offering precise controls. Turn any knob and you can actually hear an audible result across the full spectrum pro-studio audio capability. The complete compliment of robust pro-audio algorithms sound great and all work. The control logic is simple and includes a downloadable front-end application which can be used on your DAW to control parameters via MIDI. HURRAY AGAIN! ( Water-cooled and rack mounted, Gigabyte 990FX UD-3 w/Gigabyte Ultra-durable Radeon 256 bit GPU, a smokin fast and wide AMD FX 8150 Zambezi 8-Core, workhorse Crucial SSD's and WD Black-Edition storage, 16 Gigabytes Crucial Tactical Tracer 1600 RAM, Arctic Cooling PWM fans, Kingwin Striker Platinum fanless Power Supply, currently processing Windows 8 hosted multi-tracking Reaper and ADOBE Graphics A/V software's. Eats blue logo based systems for breakfast.) I proceeded to start programming some user presets by using my favorite VST plug-in settings as reference templates and voila, things that started as cool ideas on the desktop but suffered from VST plug-in limits suddenly came to life without the geek factor or DAW digital-true grit drama. For the price I am thrilled with the results so much that I have remastered 5 CD projects (about 70 tracks) over so far just to become familiar with the M-350. (Electronica, HipHop, Progressive Jazz, Rock, Metal, Acoustic Guitar, Female Vocals) What I am enjoying is far less toil to produce warm and exciting masters characterized by great-sounding stage presence with great instrument localization and projection encapsulated in well controlled musical sounding digital audio masters,...TC Electronics Forever!!! (Marching sounds). I am suddenly so happy:-)

### ⭐⭐⭐⭐ Solid "entry level" effects processor.
*by M***K on September 23, 2009*

Who IS this guy, and why does he care about the M350? I've been a semi-professional live musician for many years, mostly low-key, "house of worship" stuff, but there was also a time when I actually toured the US and Canada as a rhythm guitar player with a contemporary Christian music group. I've never fussed much with big banks of guitar or vocal effects, because the kind of music I do generally doesn't require them. However, in more recent years, I find myself doing a bit more live PA work, both for myself and for other musicians/singers, so my interest in these accessories has increased. What I started looking for in particular was a very simple, rackmount effects processor that would just allow me to do a bit more by way of "warming up" live vocals, e.g., reverb, delay and compression. Studio vs. Stage With the explosion of digital recording and "post-production" processing of every kind of media imaginable, something of a split has occurred in the huge variety of audio signal processors available in the market, e.g., between platforms designed for highly controlled, computerized studio and "post-production" work, and platforms designed for "real time" stage and live performance. The TC Electronics M350 can be used in either setting, but its rackmount format and system of external knobs and buttons for control of all its functions is really ideal for "dinosaurs" like me, who don't want to have to haul a laptop computer around just to add a reverb and effects loop to a few channels on their mixer in a live setting. This review is written for all you live stage techs and analog dinosaurs out there who are looking for the same thing, and don't want to negotiate an animated replica of a control panel on a computer screen, or a baffling array of "soft-keys" and LCD/plasma menus whenever you want to change effects or kick the gain up a notch. I'm here to tell ya, the TC Electronic M350 fits that bill. What the heck does "dual engine" mean? The M350 is a true "dual engine" device. That means it has two distinct signal processors combined in one unit. One of these processors is dedicated to "effects" and the other one is dedicated to "reverb." That also means that when the M350 is hooked up to the right kind of mixer (e.g., one that has at least two separate "aux" inputs/sends available to dedicate to "efx"), the amount of "effects" and "reverb" you're applying to any particular sound source can be separately controlled at the mixer. The nature, sound and character of the signal processing itself still has to be selected and controlled from the face of the M350. For those of you that don't have such a mixer, or only one aux send available for "efx," you can still access both "engines" in the M350 by setting it up in serial or parallel mode, running both effects through a single aux send/return, and controlling the balance between, and amount of signal processing by each of the individual "engines" from the face of the M350. The effects "engine" On the effects side, the M350 provides a total of 15 distinct effects, with potential applications to both instruments and vocals, including several unique delays, chorus, phaser, flange, compression and de-essing. Each of these individual effects can be modified to suit individual tastes, assigned a number between 1 and 99, saved in the M350's memory as a user preset, and then later recalled on demand. Don't be intimidated by all the jargon, however. This thing couldn't be any easier to use. Getting any one effect up and running is as simple as turning the selector knob to the effect you want to hear, and putting the adjustment knobs at 12 o'clock. At this setting, you'll hear the "default" effect, or what the factory guys consider a basic example of the effect you selected. You can then use the adjustment knobs to tinker with this sound if you wish, or if you think the "default" sound is fine, just leave it alone and enjoy. The functions of the adjustment knobs automatically vary, depending on the effect you've selected. There's even a "tap" button on the face of the M350 that allows you to synchronize the timing of your chosen delay with your "real time" playback. Nice touch. The only problem I noted with the multiple effects provided with the M350 is the fact that you can't combine any of them. You may select and use only one effect at a time. That's not surprising for an "entry level" effects processor like the M350, but it's kind of sad, since many of these are effects you might like to combine, like continuous compression and de-essing on a vocal track/channel, or continuous delay and chorus on a keyboard or guitar. In this particular configuration, however, the only way to combine effects in "real time" is to have multiple M350's in your effects loop. I took off one rating "star" for this limitation, but I admit it could just fall into the "you get what you pay for" category, and not necessarily be a legitimate basis for complaint. The reverb engine. The "reverb" side of the M350 operates in the same way as the "effects" side, but the reverbs are really what this gizmo is all about ... a total of 15 "canned" reverb formats, easy to select, use and modify. Check out the detail of the M350's faceplate on the TC Electronic website, if you'd like to see the manufacturer's descriptions of its individual reverb or effects settings. I've tried most of the "default" reverbs through a typical PA/mixer set up, and I thought they were great ... quiet, clean and polished. If you're like me, and just want the ability to quickly and simply put a touch of quiet, quality reverb into any channel on your mixer, you WILL be happy with this product. The M350 and MIDI While you can only access one distinct effect or reverb at a time in either of the two processing engines found on the M350, the device is MIDI-compatible, and can receive/send signal in either digital or analog format, so I assume that anyone who wants to incorporate the M350 into some kind of computerized sequencing system can alternate effects and settings in a single playback through a series of MIDI commands, with the same limitation, however. MIDI may allow you to jump from effect to effect, or from reverb to reverb in a single playback track, but you'll still only get one effect/reverb at a time out of the M350. Using MIDI to control a device like the M350 is far too complex a subject to talk about in any detail here ... it's just good to know you can do it if that's your thing. The bottom line. The M350 lists at $249, but most of the major music retailers I looked at offer it at $200, which I consider a decent value. If that's a bit rich for your blood, you can probably find a used one for a little less on E-bay, and most of those will be indistinguishable from a new unit, as there really isn't much that can be damaged or fail on a unit that's been properly used in a typical rackmount application. The M350 is solidly constructed, lightweight, provides an effects loop that's silent as a grave, easy to use, looks really cool in your rack, and its connection options, effects and reverbs are all great. Most amateur/casual users will never need much more than what this thing has to offer, and even pros will find it useful for limited applications ... like monitor feeds for those insecure prima donnas who just can't seem to drag themselves on stage without a little "post-EQ" delay and reverb added to their voice ... For me, this gizmo fit the bill in every respect, and if your goals/needs are similar to mine, I think you'll be satisfied with the M350 too.

### ⭐⭐⭐⭐⭐ This does the job. . .
*by G***R on November 17, 2012*

This isn't the most expensive reverb/effects unit you can buy, but it certainly does the job it's supposed to do. I have it set up so I can access the reverb and effects separately, but you can also configure it as a chain, so both effects and reverb are on the same channel all the time. The quality of both the effects and the reverb is good, and if you read the manual (recommended), the control layout makes a lot of sense. I haven't begun to test the limits of its flexibility. By the way, bear in mind that you can make ANY reverb or effects device sound like crap if you use it poorly, whether it's the M350 or a high-end custom-configured studio rig. The M350 is a tool, not a magic wand, and it still depends upon the operator to make the best and most musical use of it. For my part, I'm really glad I got it, the price didn't gut my budget, and I'm getting high quality results from it in my recording work. That does the job for me.

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