---
product_id: 1695042
title: "The Odyssey (Penguin Classics)"
price: "SAR 109"
currency: SAR
in_stock: true
reviews_count: 13
url: https://www.desertcart.com.sa/products/1695042-the-odyssey-penguin-classics
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region: Saudi Arabia
---

# The Odyssey (Penguin Classics)

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- **What is this?** The Odyssey (Penguin Classics)
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## Description

Robert Fagles's stunning modern-verse translation—available at last in our black-spine classics line Soon to be a major motion picture directed by Christopher Nolan A Penguin Classic The Odyssey is literature's grandest evocation of everyman's journey through life. In the myths and legends that are retold here, renowned translator Robert Fagles has captured the energy and poetry of Homer's original in a bold, contemporary idiom and given us an Odyssey to read aloud, to savor, and to treasure for its sheer lyrical mastery. This is an Odyssey to delight both the classicist and the general reader, and to captivate a new generation of Homer's students. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Review: Students, fans, buy THIS version for your Kindle. - I first read the Odyssey almost 50 years ago as a freshman in college. Back then, I struggled so much reading and understanding the text I don't think I grasped any of the larger issues the instructor was trying to teach. This edition, masterfully translated by Robert Fagles, was truly a pleasure to read. I found myself reading many passages (and even long sections) out loud and really felt I was hearing something like a performance with oral cadences and lively movement. And this time I was totally caught up in the dramatic unfolding of events. Don't be mislead by TV, movie and graphic novel versions of this classic story. Odysseus is not an ancient version of Mad Max careening from one bloody encounter to another. In fact the reader does not even meet Odysseus until Book Five, almost one-fourth of the way through the book. All of the famous exploits are told as a series of long "flashbacks." Odysseus actually reaches his home island of Ithaca in the middle of Book Thirteen. So almost one-half of the book is not Odysseus' seafaring adventures but his coping with his complex homecoming situation and subsequent plotting and maneuvering. So put the cartoon versions out of your mind and settle in for a story of high drama and suspense full of well-crafted characters including perceptive portraits of the women Odysseus encounters. Kindle readers will really appreciate that this Kindle edition is a complete duplicate of the print edition. It contains the extensive introduction by Bernard Knox. And, in a Kindle bonus, the authoritative line notes are "hyper-linked" in the text; just click on the underlined line number to jump to that line's note. And, yes, it does have relatively unobtrusive line numbering so you can use this version in a class where everyone else has the print edition. (I just did!) You get all the maps, genealogies, textual variants, and spelling and pronunciation guides of the print edition. And, I encountered no typos, transcribing errors or blunders in the text. This Kindle edition is a respectable version of the Penguin Classics Deluxe Edition of one of the greatest stories ever told and well worth the moderate price.
Review: The Journey Of Odysseus Plays Out On The Mediterranean Chessboard Where Gods And Goddesses Are The Opponents-Powerful Reading! - Reviewing and rating The Iliad and The Odyssey, both being among the oldest existing written works from Europe, and which continue to hold influence on Western literature, makes it almost unfair to judge with a contemporary mindset. The embraced ideologies, i.e. philosophies, religions, principles, and aesthetics that have influenced any given literary period, including any accepted or required structures or styles for a story, have evolved over thousands of years. Estimates indicate these two epics were written sometime between 1200 BC and 850 BC. Many contemporary readers will simply dismiss The Iliad or The Odyssey after reading only a few lines, finding them too complicated or confusing to embark upon. The differentiation of mortals from gods and goddesses is not immediately made clear in some translations—just names given. Redundant descriptions like “winged fowls” or a reference to Hades, Zeus, Calypso or a Muse can quickly lose the interest of an average contemporary reader. The repetition of words and phrases, where the author or authors (Homeric question considered) tried to duplicate the telling of these epics as they were originally sung by bards hundreds of years before into written epics, can also be off-putting, especially among the many translated interpretations over the years. How I might have rated either of these two epics had I lived and read them when they were first written is impossible to say. Having read a 20th century English translation of them within the current literary period of the 21st century, I give five stars without hesitation. After a little research, I chose Robert Fagles’ translation written in unrhymed iambic pentameter or blank verse, a style originating in the 16th century, for the best balance of accuracy and readability. I didn’t care for the popular translations by Alexander Pope, who translated both epics into heroic couplets—a form of rhyming poetry that came about in the 17th century—eloquent as they may be written. Richmond Lattimore’s translations are perhaps the most accurate English translations, attempting to maintain the dactylic hexameter in which the original epics were written. Homer’s epics were simply his written retelling of stories that minstrel poets had been singing for centuries before his time. I suppose translators are simply doing the same thing in their own writing style. When you hear someone detail an event that took place and then hear the same event recounted by someone else, one person’s version may appeal to you more than the other, right? In any case, The Odyssey was my favorite between the two, though both were exciting—sometimes emotional—great stories.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| Best Sellers Rank | #30,705 in Books ( See Top 100 in Books ) #23 in Ancient & Classical Poetry #32 in Epic Poetry (Books) #61 in Ancient & Medieval Literature |
| Customer Reviews | 4.6 out of 5 stars 1,136 Reviews |

## Images

![The Odyssey (Penguin Classics) - Image 1](https://m.media-amazon.com/images/I/81-ghHO6JyL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ Students, fans, buy THIS version for your Kindle.
*by T***N on December 21, 2011*

I first read the Odyssey almost 50 years ago as a freshman in college. Back then, I struggled so much reading and understanding the text I don't think I grasped any of the larger issues the instructor was trying to teach. This edition, masterfully translated by Robert Fagles, was truly a pleasure to read. I found myself reading many passages (and even long sections) out loud and really felt I was hearing something like a performance with oral cadences and lively movement. And this time I was totally caught up in the dramatic unfolding of events. Don't be mislead by TV, movie and graphic novel versions of this classic story. Odysseus is not an ancient version of Mad Max careening from one bloody encounter to another. In fact the reader does not even meet Odysseus until Book Five, almost one-fourth of the way through the book. All of the famous exploits are told as a series of long "flashbacks." Odysseus actually reaches his home island of Ithaca in the middle of Book Thirteen. So almost one-half of the book is not Odysseus' seafaring adventures but his coping with his complex homecoming situation and subsequent plotting and maneuvering. So put the cartoon versions out of your mind and settle in for a story of high drama and suspense full of well-crafted characters including perceptive portraits of the women Odysseus encounters. Kindle readers will really appreciate that this Kindle edition is a complete duplicate of the print edition. It contains the extensive introduction by Bernard Knox. And, in a Kindle bonus, the authoritative line notes are "hyper-linked" in the text; just click on the underlined line number to jump to that line's note. And, yes, it does have relatively unobtrusive line numbering so you can use this version in a class where everyone else has the print edition. (I just did!) You get all the maps, genealogies, textual variants, and spelling and pronunciation guides of the print edition. And, I encountered no typos, transcribing errors or blunders in the text. This Kindle edition is a respectable version of the Penguin Classics Deluxe Edition of one of the greatest stories ever told and well worth the moderate price.

### ⭐⭐⭐⭐⭐ The Journey Of Odysseus Plays Out On The Mediterranean Chessboard Where Gods And Goddesses Are The Opponents-Powerful Reading!
*by S***S on January 1, 2015*

Reviewing and rating The Iliad and The Odyssey, both being among the oldest existing written works from Europe, and which continue to hold influence on Western literature, makes it almost unfair to judge with a contemporary mindset. The embraced ideologies, i.e. philosophies, religions, principles, and aesthetics that have influenced any given literary period, including any accepted or required structures or styles for a story, have evolved over thousands of years. Estimates indicate these two epics were written sometime between 1200 BC and 850 BC. Many contemporary readers will simply dismiss The Iliad or The Odyssey after reading only a few lines, finding them too complicated or confusing to embark upon. The differentiation of mortals from gods and goddesses is not immediately made clear in some translations—just names given. Redundant descriptions like “winged fowls” or a reference to Hades, Zeus, Calypso or a Muse can quickly lose the interest of an average contemporary reader. The repetition of words and phrases, where the author or authors (Homeric question considered) tried to duplicate the telling of these epics as they were originally sung by bards hundreds of years before into written epics, can also be off-putting, especially among the many translated interpretations over the years. How I might have rated either of these two epics had I lived and read them when they were first written is impossible to say. Having read a 20th century English translation of them within the current literary period of the 21st century, I give five stars without hesitation. After a little research, I chose Robert Fagles’ translation written in unrhymed iambic pentameter or blank verse, a style originating in the 16th century, for the best balance of accuracy and readability. I didn’t care for the popular translations by Alexander Pope, who translated both epics into heroic couplets—a form of rhyming poetry that came about in the 17th century—eloquent as they may be written. Richmond Lattimore’s translations are perhaps the most accurate English translations, attempting to maintain the dactylic hexameter in which the original epics were written. Homer’s epics were simply his written retelling of stories that minstrel poets had been singing for centuries before his time. I suppose translators are simply doing the same thing in their own writing style. When you hear someone detail an event that took place and then hear the same event recounted by someone else, one person’s version may appeal to you more than the other, right? In any case, The Odyssey was my favorite between the two, though both were exciting—sometimes emotional—great stories.

### ⭐⭐⭐⭐⭐ Could you bend Odysseus' bow?
*by M***O on January 27, 2010*

Fagle's translation of the Odyssey is excellent as is Knox' knowledgeable foreward. During my life, I've read both the Iliad and Odyssey half a dozen times or more, by various translators, and regard Fagle's version as the best. I don't read Greek, ancient or modern, so, like most of us, I am unable to read the subtleties, glory and poetry of the original tales. I rather suspect, however, the Fagle's interpretation gets us close, indeed. Every time I read the story...at different stages of my life...I read different things into the tale. This times, perhaps, I am more aware of the duplicity that is the very substance of the hero, Odysseus. Lies...complex, detailed lies...flow from his lips as easily and quickly as water poured from a flask. True, his lies usually serve a 'greater' purpose, but they are still lies...a fact of which gives Odysseus no problem. Since reading the 'Iliad' and 'Odyssey' as a teenager, I've always been partial to the directness and overall simplicity of the 'Iliad.' Believability is also a factor. The Trojan War, some of the characters in it and some of the action details are almost certainly based in reality. The 'Odyssey', far lesss so. It seems to be a collection of out-and-out fables in which Odysseus is the primary player. Still....even fables may have echoes of the truth. Could Odysseus have been away from Ithaca for twenty years and would his wife have remained faithful all this time? Quite possibly. The story of Odysseus' experiences with the goddesses, Circe and Calypso, are fascinating but, of course, fabulous. They also account for most of the time Odysseus spends on his long path home. This might be a fanciful way of dealing with reality. Odysseus may have been captured on his way home and held as a slave. This reality could definitely 'eat up' years of time but the Circe/Calypso stories are far more interesting and add to Odysseus' reputation as a very accomplished ladies man. Later, although, Odysseus has spent so much time as a virtual sexual slave to the goddesses, he happily recounts the adventures to his wife, Penelope. Penelope isn't offended. Afterall, her husband turned down goddesses and eternal blissful life, in favor of return to his wife of many years. It's one heck of a compliment. There are a couple of other features that I noted that, again, may be rooted in reality. Twice, Odysseus lies that he is from Crete and that he led an unsuccessful attack on the peoples of the Nile Delta. A number of Egyptian accounts report accounts of attacks by 'The Peoples of the Sea'. Could the Achaean Greeks, in their black ships, have been some, or most, of the Sea Peoples? Also, the death of Agammemnon, should also be noted. This may also be based on reality. Agammemnon, commander of all Achaean Greek forces against Troy, and King of Achaea's most powerful city, Mycenae, is slain by his wife and her lover. The motive is given as sexual infidelity and greed...greed for the throne of Mycenae. In the Odyssey we learn a fascinating 'detail'. Clytemnestra, Agammemnon's murderous wife, slaughters the slave-captive, Cassandra, on Agammemnon's just-killed body. Hmmmmmm? Why would Clytemnestra kill a valuable slave? Cassandra, of course, was a Princess of demolished Troy and had been violently raped during the destruction of the city. Nevertheless, it would appear that Clytemnestra hated or feared Cassandra. Why? Probably the oldest reason of all...sexual jealousy. Cassandra's murder suggests that the REAL motive for Agammemnon's killing is quite different than usually represented. He may have preferred the company of Cassandra to that of his queen. Clytemnestra reacted with her well-known violence...a woman jilted. Also, is it conceivable that the Queen, Penelope, could be held virtual prisoner in her own palace...for years...by 100 or so rampaging suitors? The answer must be 'No' but there are some interesting things to note. Odysseus' father, Laertes, would logically be King, but his son, Odysseus, IS King, which leaves a 20 year vacancy to the throne. We learn that Laertes, mourning over his lost son, lives in rags and poverty as a barely surviving farmer. Possible. Depression and/or mental illness. But why not Odysseus' son, Telemachus? At the time the first suitors might have 'settled in' to pay court to Penolope and to eat up her wealth, Telemachus would have been underaged. The suitors, who would have become more arrogant and confident, would scarecely have Telemachus the opportunity to claim the throne. Still......it's a far-fetched tale. Ron Braithwaite, author of novels...'Skull Rack' and 'Hummingbird God'...on the Spanish Conquest of Mexico

## Frequently Bought Together

- The Odyssey (Penguin Classics)
- The Iliad (Penguin Classics)
- The Aeneid (Penguin Classics)

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