Snowpiercer [4K UHD]

I'd vote this movie as the best adaptation from comics movie ever! I'll make a review on the bonus disc. As for the movie, I believe others have reviewed better. There are many bonus features on the 2nd disc. From pictures, sketches, story boards, interviews with actors, etc. I was very impressed with behind the scenes. We can see how the stage was built. We can also see the comic book adaptation process, incl interview with comic artist Jean-Marc Rochette. Rochette even got involved in the movie, as the illustrator. His works were used by the actor who played as an illustrator in the movie. I also love the place where Rochette was interviewed. it was the library of Angouleme Comics Museum, France. In case you don't know, Angouleme is the most prestigious comic festival in Europe. We also get some parts on Jacques Lob, the visionary and writer of the comic book. Unfortunately he passed away many years ago. Another footage was the premiere screening in South Korea. I love seeing the enthusiast audience, and they love meeting Rochette. Asking for autographs, pictures, etc. Something that Rochette told us, not usually happened in France. I can see how Korean people admired and respected the movie and also the book. There was even a scene when Rochette was having a cup of coffee in a shop, while waiting for his driver. The coffee lady, around 50's I think, asked for Rochette's autograph. She said she has seen the movie and very liked it. Other footage was interview with Bong Joon Ho, the director. Honestly, I'm not impressed on the questions the host gave. It should be better than that, and it was very common. Get this bluray while you can. There are other editions. But this one has the bonus disc and you won't regret having it!

If you are a filmmaker or you appreciate a film that is derivative of classic literature, history, and the class system, watch Snowpiercer! The concept for Snowpiercer originated in a french graphic novel "Le Transperceneige" created in the early 80's - a time in history when the Cold War was beginning to thaw, liberty was taking over the world, and the concept of pollution was turning into a global cause. Korean Director Bong Joon-ho (my new director hero) stumbled on to an illegal Korean translation of Le_Transperceneige in a book store and he read it in its entirety once he cracked it open. I've been extremely fortunate in my life to study films from around the world since my mother taught literature and film, and wrote a book on world cinema. Many of today's filmmakers will acknowledge influence by contemporary or modern greats such as the likes of Scorsese, Spielberg, Hitchcock, and Kurosawa, when they don't know any of the films that inspired these greats. Within Snowpiercer, first and foremost, I see 1925's USSR film "Battleship Potemkin," then Germany's 1927 incredible expressionistic film "Metropolis," and then France's "Germinal," first put to screen in 1913, with numerous remakes, including my favorite version from 1993 starring Gérard Depardieu who's performance was brilliant. There are other influences, particularly some German films from UFA in the 30's and 40's, and topping off with an ending that's typical of the French New Wave. Snowpiercer presents poverty at its worst, a class system that is evil, and a time and place where industry has destroyed the world. This movie is amazing and brilliant. Not allowing this movie to have a wide release in the USA was a huge mistake, and the release company just had absolutely no idea or clue as to what they actually had. This film will slowly circulate and people will see it, and its brilliance will be eventually be known. If you ever have a chance, see the old films I mentioned. You will be shocked as to how the themes and concepts of these films have survived in filmmaking today.

About halfway through the film, I said to my wife “This movie is kinda like THE ROAD WARRIOR. Post-apocalyptic and full of weird characters.” And that sums it up for me. Remember all the odd-ball characters (good and bad) in THE ROAD WARRIOR. And the relative normality and stoicism that Mel Gibson displayed in contract to all the craziness around him. SNOWPIERCER, for me, evoked a similar reaction. It is not as good as THE ROAD WARRIOR, but it was still a lot of fun. The concept is that this train, SNOWPIERCER, contains all that is left of humanity after an attempt to stop global warming backfired and froze the planet. And the train must keep going all the time, because of its perpetual motion engine. And just to make is a microcosm of our world, the train is very much divided into classes, with the poor, unwashed huddled masses literally huddling unwashed in the back few cars of the train, and the upper-class living in luxury near the front. In between are soldiers and engineering-types that keep order and help keep things running. Apparently, over the 17 years since the end of the world, there have been several failed attempts by the poor folks to make it to the front of the train. And now, they’re ready to try again, led by a somewhat reluctant (and relatively normal) Chris Evans. When the soldiers come to take a couple of young kids away from their parents for purposes unknown, this serves as a precipitating event for the rebellion. Evans is joined by the gung-ho Jamie Bell, a wizened, gravelly-voiced John Hurt type of character (played by John Hurt, doing the role he always does these days), a rescue and revenge minded mother (Octavia Spencer) and a motley crew of rebels. They begin to fight their way up, car by car, and with each new move forward, new secrets and surprises about the train, its operation and its inhabitants is revealed. There are lots of action scenes, and they are quite violent. But they aren’t particularly gory (I know some folks have a lower threshold for what equals gory than I do)…there are lots of stabbings and axe blows, but very little is actually shown. But believe me, it’s violent enough. It reminded me, at times, of 300 and sometimes of THE RAID (although not as brilliantly choreographed). These scenes were done well enough, BUT weren’t really the most compelling thing about the film. The slow process of revealing secrets was most interesting, as well as the wonderful art direction. Each train car has its own personality, and some are quite twisted and some are quite lovely. I have to admit, my favorite part of the movie was Tilda Swinton. Playing the powerful spokesperson for the leader of the train, she is amazingly loony and oddly funny. From her gloriously crooked teeth to her thick glasses to her amusing sidebars…she’s terrify and amusing. Chris Evans makes a nice contrast to her…and I think it’s his best performance. He’s not known for being the world’s greatest actor, but he gets a couple of very effective, emotional monologues in this film, and nails them. He’s always been an affable guy (who doesn’t like him as Captain America), but in this film, he brings some grit to his role and it suits him well. Weaknesses? Well, even with all the great revealing of secrets throughout, we never quite figure out how or why the poor folks came to be on the train when hell was freezing over. The visual rendering (via CGI) of the landscape outside the train shows the budgetary limitations…although I feel a bit silly complaining about this when the interior of the train looked so awesome. And you’d better have a TV that can handle dark scenes (my new one, thankfully, can) because the first 30 minutes of the movie is really quite dark. (More of a warning than a complaint, I guess.) Finally, the end of the film left me a little unsatisfied. It makes some bold choices, which I liked, but contained more ambiguity than I cared for. Not everyone will like SNOWPIERCER. It’s got, perhaps, less action than some might have expected. Others might not like its decidedly oddball characters. And others will dislike the ending. But I enjoyed it a good deal, and very much admired its style and originality.

FILM: (Skip directly to Blu-Ray comparison and Update sections if not interested in a random film review that shouldn't mean anything to you anyway.) What can I say? This is a science fiction/action film and, somehow, with the incredible direction, production, cinematography, set design, score and, of course, acting, it is really a drama. If someone asked me, I'd wouldn't know what to say. It is as though they took high art independent film drama, impressive all by itself, and transformed it into a sci-fi/action/thrill-ride without diminishing the drama or adding needless comedic silliness. I don't know what to call this but, without doubt, it is the best film I've seen in theater in over a decade. I've seen approximately 100 films that way in that time. It is in the top twenty I've seen in the last decade overall, including all dvd and blu-ray options and television commercial free airings. I've seen approximately 500. The writing is excellent, not surprising as it is Bong Joon-ho's adaptation of a decade's old graphic novel that people still talk about. The direction is excellent, again, thanks to writer/director Bong. The acting is, you guessed it, excellent and you can skip down to the Blu-ray section if that is unimportant to you. Starting with John Hurt, I can only say he is perfect, as he always is. (Anyone who can make Doctor Zero--the one we've never heard of before--pop off the screen, dwarfing both the 10th and 11th doctor to such an extant one might actually forget they were even there, is an actor who doesn't need my praise. He is an acting god.) Tilda Swinton is magic, pure and easy. She makes it seem as though her job is fun and simple when it is a tremendous effort born of intense planning and practice and in this role she shines, as in all others. Chris Evans, an actor too often misunderstood in his style, is true to form in his decision to always analyze the emotion before attempting to play it, rather than just tossing whatever imitation came to mind while sitting in a back-lot caravan on break or sleeping, up at the camera, out to the audience, as though we can't tell if the feeling is appropriate for the character in that moment. My favorite example of mindful acting, for him, is The Loss of a Teardrop Diamond, in which he showcased a brilliant ability to play repression without mistakenly conveying depression, an error nearly every actor out there has made at one time or another, generally when they are very young. In Snowpiercer, with similar mindfulness, he seeks to convey a man beaten down to nothing, having pulled himself back up, under the guidance of a revolutionary and father figure, into a creature of will. He has one goal, to lead the revolt, leave the past behind him and fight his way to the front of the Snowpiercer, the massive train you've read about in the other reviews. As he moves through the train, so does he move through his past life, slashing and crushing and tearing at the constructed reality he left behind 18 years ago, when the world ended and his nightmare version of life, a terror that would become the truest reality he could ever have experienced, swelled up around him and swallowed him. We see none of this, of course, or it wouldn't be a great performance. He doesn't flash back or have long conversations about afternoons wandering the hillsides, but he shows us in the absence of joy and the glances away from reminders of what once was, in moments of planning and flailing and moments of internal reflection, without having to rely on these tools of inadequate performance. To see him alongside actors who can be legitimately labeled as perfect, never failing, never faltering, having worked at it for so many years that any writer or director would believe they had won the lottery to have them, Hurt and Swinton and, in the very end, Ed Harris (who I adore), showcasing talent on their screen, Chris Evans, the only Avenger to ever look around him in moments of false and manufactured humor with an expression of "why am I here", while the clowns danced around him, was magnificent and, for that very reason, for being one of the Marvel actors who don't have the opportunity to give you something real, he deserves praise. I am impressed and that doesn't come easy for me. I used to say he's a good actor, citing indie films and random moments in Captain America that almost made it something people might remember in a hundred years, but no more. He is an actor, a true actor, a great actor and, even surrounded by this unbelievable cast of performers, he shines, holds his own, dominates the film and never fails to give the best, highest, most appropriate line reading, literally pitch perfect, even with all that running. So, if you enjoy science fiction and drama, if you enjoy films that take themselves seriously and don't overcompensate for a weak plot with out of place comedy, if you enjoy films in which characters understand the gravity of their situation and have actual feelings, if you enjoy films with action and excitement interwoven with political and social and religious and philosophical explorations presented through story and idea rather than endless prattle or speeches meant to explain or talk down to an audience the producers believe is made up of morons, if you enjoy storytelling without all the cliché and giant robots... well... congratulations on not being a tool. Also, go see this movie or purchase it and enjoy just as soon as you can. I hate seeing films in theater for too many reasons to list but I saw this one and I will see it again, so take that for whatever it is worth. On to the Blu-ray releases. Blu-Ray: (Read here for Blu-ray comparison, absent my pontification, for the most part.) There are now several Region A options available including a Hong Kong release, Japan release and the Korean Kimchee releases. All but one are priced, it would seem, by mental patients and are only worth it if you are filthy stinking rich (which I am not so, moving on). There are also several Region B options, unfortunately, without subtitle options in English, as no UK release has arrived or even been announced. And so, back to the Region A options. Of the Region A options, Hong Kong by Panorama is the only one priced to purchase (yup, it is actually the cheapest at $36). However, as the only release with English subtitles for under $40, it is important to note that the subtitles can either be off or on... that is to say on screen, for the whole of the film or off screen. In theory, you could pause the film and change the settings repeatedly while watching but we both know you are not going to do that. (I'm certainly not.) These English subtitles that are, for whatever reason, so hard to find, are not "forced" subtitles that can never be turned off, but they are continuous in that they cannot be removed once turned on without pausing the film to remove them. To clarify, you can watch and not understand what I consider to be a large enough portion of the film that I was unhappy with this or you can watch and understand via subtitles that cannot be removed for the English portion of the film (which you already understand if you are a region A viewer who cared enough to purchase this film on Blu-ray with no other subtitle options except for, I believe, Chinese). If subtitles are unimportant to you, then you have the option of including Region B, English subtitle-free releases for your consideration. As for the Region B releases, there are two main prints circulating: the French Warner Brothers release print which preserves the original aspect ratio of 1:85:1 and the Italian by Koch media that has been sized to fit a 1:78:1 screen. (There is also a German print that has not been compared favorably to the picture quality of the French version though it also maintains the original aspect ratio.) "of these options, there are pros and cons. The Koch Italian Blu-ray has superior quality in picture and vastly superior audio, however, it is the one that cuts the sides off of every shot to make it fit your screen perfectly. Additionally, some have complained that the blacks are not black enough (though that can easily be corrected with a tweak on your television settings). The French version has very high picture and audio quality but is not the "best available", which is why I felt I needed both. (That and the special features.) And what about features? The Koch edition has a bunch, some in English and some in Italian. The French edition has a bunch, mostly in French, including a documentary that runs 54 minutes and is mostly in French with no English subtitles. Still, they are high quality releases and getting a good deal on either would be worth it if you have a region free player. That having been said, if you are in America or Canada and are not wealthy enough to purchase a region free Blu-ray player or at least a poor person (like me) who was lucky enough to have manipulated someone into getting you the best Christmas present ever last year, then your only choice is to purchase Region A or make your peace with having to wait until the theatrical release has come and gone and the fools in charge of distribution finally decide to release an uncut Region A Blu-ray of this film for Region A in North America because, apparently, they don't like money as much as they should and have no plans at this time. On another note, digital download is available which can be corrupted and is always of lower quality. However, if you are just looking to see the thing, iTunes has it and some VOD services. But if you want a pristine copy for home viewing, these are your current best options and I highly recommend the Hong Kong release for those who are limited to Region A viewing only, the French release for composition hounds (those who can't abide the loss of the slivers down the left and right side of the picture) and the Italian release by Koch for video and audiophiles as it has a higher quality picture (by enough to make a difference but not enough to blow your mind) and much higher quality audio (by fully doubling the quality over any other release). Good luck with this. It is not an easy choice. UPDATE: A Region A, North American release has been scheduled, tentatively for October 1, 2014, by Anchor Bay/Starz. No press release has been issued concerning special features though it is a safe bet that this version will, like the theatrical release, contain English subtitles only for Korean dialogue, which, at the very least, makes this worth the buy if you like this film. There is no information regarding video or audio speed or the quality of the transfers, status on 5.1 vs. 6.1 vs. 7.1 master audio or if the files will be LPCM. Additionally, it is unknown as to whether there will be a special or deluxe edition down the line. If I had to guess, this is one of those films that will only receive a double disc edition if the first edition sells very well and demand is high. As for the size, 25 or 50GB, initial information was that it would be a 50GB Blu-ray but no confirmation has been given. I will post additional information as it becomes available. As of now, early August, the Hong Kong release is still the best bet. As for cropping, I saw this cropped in theater (a 1:78:1 presentation) and have a lovely 1:85:1 print from Hong Kong. I can't imagine that they would crop this, however, it is always possible. My recommendation is to pre-order this to lock in the price and watch for more information as it becomes available. You can always cancel if they crop the image or pull some stunt like 685 kbps audio instead of the standard of at least 3000 kbps (and really good Blu-rays are doing 6000 now) or, like me, collect multiple editions for different audio, picture and features. Random Note: Not to be rude, but the only people who see films in the theater any more are the sort who think The Avengers is the height of cinema (an action comedy that plays as though it were acted out by cardboard cutouts, with their endless supplies of inner camp just oozing off of the screen as they just couldn't be bothered to care), basically children and people forced to accompany them to those dark no-pause-for-pee-breaks hell-holes. For those of us waiting and wanting to fork over the funds for a Region A Blu-ray of Snowpiercer, for the distinct privilege of viewing an adult oriented action drama, absent Whedon silliness, less the failure to take itself seriously enough to make us care in the least, totally removed from unnecessary apologist comedy (the "I'm sorry my film makes no sense and doesn't tell you much of a story but, hey, Iron Man's irreverent, so it's less embarrassing for the producers, writers, director and actors" apology standard in most action and sci-fi action films of today), we will just have to continue on reviewing Battlestar and cursing Harvey Weinstein, I mean Scissorhands, for his narcissistic obsession with sticking his film cutting hands in where they ought to be slapped away and playing with unbearable delays at the expense of the audience at large. I hate film theaters for these and other reasons and yet, I will see this at least twice, no thanks to the American distribution machine who shall remain a jerk. Essential Point: Don't buy the Hong Kong Region A unless you can live with permanent subtitles, not understanding dialogue or having to pause at a couple of critical moments to get subtitles back on. Do buy it if you are limited to Region A as it is the best option available for under $40 and others start at $50 not including shipping. Don't buy any non-UK region B unless you have a region free player and don't need subtitles at all but if you have one and want a region B to play in it, France is best for preserving original composition with no removal of side edges to fit your 16:9 screen and Italy is best for picture overall and is, most importantly, best for audio with a much higher quality track at double the megabytes and 24 bit rather than the standard 16 on the French release. Or, if none fit your needs but you are still interested, you can wait for the uncut Region A release due out sometime after Weinstein gets kicked in the ass by people at his company who actually like money and then realizes the Blu-ray is where that money can be made. Of course, he may never figure that out. He's not very bright. Can you tell I'm getting a little ticked after the multiyear wait? Did I mention I love Tilda Swinton in a non-creepy, non-stalker, just shy of superfan kind of way?

I ordered this when it first came out, but it sat on my shelf for nine years before I finally watched it. It had a low priority for watching because the sci-fi plot seemed ridiculous: a world where life was extinct except for a super-train circling the planet. Say what now??? But having seen other movies in the interim by Bong Joon Ho where he made the ridiculous incredibly real and gripping, I finally decided to dig it out and give it a try. Yes, I discovered it was yet another of Bong Joon Ho's masterpieces! I soon realized the super-train was an allegory for society: stratified, unfairly weighted, and inwardly stagnated. The incredibly realistic struggle to fight ever forward to do the impossible was truly a worthy sci-fi spectacular. Yes, it was all still ridiculous, but that's what makes the best movies shine: when we realize that even though the worst surrounds us, the best is still attainable if we have the imagination and will. Bravo!

The first English language film directed by South Korean filmmaker Bong Joon-ho, "Snowpiercer", is a bizarre and screwy science-fiction dystopian action thriller about an atomic high speed train in 2031 that is continuously circling an Earth frozen solid to the point life on it cannot be sustained. The only people left alive are those on this speeding train, and they comprise various social classes all controlled by a hidden leader named Wilford as if he were the Wizard of Oz. Tilda Swinton, in one of the greatest performances of 2014, plays Minister Mason, the train's second in command -- and looks and plays her part as if she popped right out of some crazed and drug-induced hyper-Oz. In the actress's own words, "[my character is] a complete smash cut of all the monstrous, maniacal, political clowns," and adds she designed her character as a mixture of Margaret Thatcher, Colonel Gaddafi, Silvio Berlusconi and Adolf Hitler. In a famous scene, her character holds up a dilapidated shoe and she says, "Now, as in the beginning, I belong to the front. You belong to the tail. When the foot seeks the place of the head, the sacred line is crossed. Know your place. BE A SHOE." You have to see her performance to believe it. But everything about "Snowpiercer", from the amazing production design and the kinky costumes to its rapid-fire editing and kinetic music score, is first-rate, and it is easily one of the most imaginative and exciting films in recent years.

When I first saw 'The Host' on TVO, I applauded alone after and became an immediate fan of Bong Joon Ho. On collecting his other works (Memories Of Murder, Barking Dogs Never Bite, Mother, etc.) I was completely enthralled with him and the excellent Korean actors he utilized. So Snowpiercer struck me like a Ang Lee 'sell out' when I first caught wind of it. But being on Joon's 'wavelength' I suspected it wasn't, and hoped he wouldn't let me down. And he certainly didn't! If you're like me, and are getting sick of 'superhero' movies and typical action and sci-fi formats, I think you'll fall for this movie too. It's like a Kurt Vonnegut story adapted by Terry Gilliam, costumed by Jean Paul Gautier, and put together by none other than Bong Joon Ho. It's deep, dank, dismal, and disbelieving that all this level of life could exist on board a 'super train' constantly going around a dead and frozen planet. But then, what is our planet and ourselves rotating around and around in this big empty universe? Chris Evans is excellent, Tilda Swinton goes well beyond, John Hurt breaks a leg, and Ed Harris is so distant and evil. Then to throw in awesome acting by the likes of Kang Ho Song and Ah Sung Ko. So far from their father and daughter characters in The Host, yet more desperate and devoted in this. The ingenuity throughout is remarkable, and disgusting. Believable and disheartening. Hopeless, and yet joyous at the end. You'll hate to admit it - but you LOVE this movie! The Wizard Of Oz for adults that never goes back to Kansas!

This film was totally, totally unexpected for me, but I approached it expecting to be surprised. On the one hand, a brief description of the situation immediately reminds one of "2012" and "The Day After Tomorrow", two weather related apocalypses, heavy on special effects and action of man versus nature. On the other hand, this Korean made "Snowpiercer" which replaces giant arks and long treks in the snow with a train (a seemingly corny solution to anything) is getting rave reviews, with a 96% rating on "Rotten Tomatoes", while the other sci-fi apocalypses fall around 40 - 50%. I cannot do much to explain how this happened without giving away too much of what makes the movie work, but I can say that rather than being about humans versus nature, it is far more a story of humans versus humans, very similar to the recent film, "Elysium". It is obvious that the point of the train is that the earth is covered by a great freeze and snowfall. The train is capable of plowing through the biggest drifts of snow, as it runs on a track which surrounds the globe, hitting all five major continents. The rationale for a train rather than a ship or anything else may be connected to the fact that the engine of the train is a perpetual motion machine. Unfortunately, the film never explains how that happens, but then, that is not important to the story. The performance of Tilda Swindon in this film is worth the price of admission. She almost always plays quirky characters, and this is no different. The story becomes interesting as soon as she appears on the screen (however you may have a bit of trouble recognizing her.)The five other principle characters are good, and Ed Harris is especially good as a heavy who seems like he belongs as a heavy in an early James Bond movie. Do not expect a lot of loud, fast special effects. the setting prevents grand battles with flying blood and mechanical arms. On the other hand, the good guy / bad guy interaction is carried out with lots of surprise and realism. Oh yes, I forgot. There is lots of blood.

PLOT... Set in 2031, the entire world is frozen and dead after a failed climate-change experiment except for those aboard the Snowpiercer. For 17 years, the world's survivors are on a train hurtling around the globe creating their own economy and class system. Led by Curtis, a group of lower-class citizens living in squalor at the back of the train are determined to get to the front of the train and spread the wealth around. Each section of the train holds new surprises for the group who have to battle their way through. This is indeed a very original and visually awesome looking sci-fi, certainly as others have said this is probably one of the best films you have never seen or heard of, an interesting and completely bonkers idea for a story, the movie is rather a good budget with fantastic effects and stunning scenery and set designs, each section of the train is strange and bizarre in many different ways, the cast all round is brilliant, Chris Evans is a good lead, we also have John Hurt and Ed Harris, many known faces, Tilda Swinton deserves much credit in this as she is rather creepy and yet very entertaining, the director of this movie is Joon-ho Bong, a Korean director who made the cool monster movie The Host back in 2006, I think this is an amazing English language movie that still has the feel of his previous movies, the movie for most part is entirely in English apart from the part of Korean actor Kang-ho Song (also from The Host 2006) if you love original sci-fi with a great visual style then look no further than to check out this little unknown gem, it may have a few plot holes here and there that you could possibly pick at but don't, its an amazing piece of cinema!! The film does have an R-rating as it is very violent in places too!! Blu-ray quality is very good in 1080p HD (Italian 2-disc import, Koch Media) Language is in full English, Italian subs can be removed from the movie, (The occasional Korean dialogue in movie has no English subs but its not hard to follow) Special features are plentiful indeed spread over 2-discs, TV spot and trailer, promo spot, various making of the movie features, plus much more, (Some of the features are in English, some are Italian with no English subs, Region B so plays in the UK, 126-mins long, 2012.

Premiato dalla critica della rete con il Mouse d'Argento come il miglior film fuori concorso all'ottavo Festival di Roma, il regista coreano Bong Joon mette in mostra tutto il suo potenziale in questo eccellente lavoro. Prendendo ispirazione dal racconto francese a fumetto "Le Transperceneige", il film affronta i classici problemi dell'umanità purtroppo sempre attuali, quali il classismo, le disuguaglianze sociali, l'oppressione esercitata dai poteri forti e la propaganda di regime sulle menti ancora da formare, attraverso un'allegoria inverosimile della nostra società. Sembrerebbe quasi la trasposizione cinematografica di un'opera "orwelliana" e per questo può rientrare a pieno diritto tra quei lavori "sociali" e di rilievo come Brazil o 1984. La trama, ambientata in un contesto surreale e post apocalittico, mira a far emergere un sentimento generalmente pessimista del regista verso l'animo umano, evidenziando scelte e comportamenti arrivisti di alcuni personaggi che finiscono con l'alimentare un sistema sociale oppressivo. Il treno con tutti suoi ingranaggi altro non è che la metafora di una società in cui il valore dell'essere umano è andato perso, ed in fatti le persone sono parti di un tutto ma allo stesso tempo schiave della società stessa. Gli ingranaggi si rompono ma poco importa, li si può sostituire con persone in carne ed ossa, l'importante è che il sistema continui a funzionare e che ognuno stia al suo posto. Nonostante tutto, però, non è impossibile affrancarsi da questa mentalità, come dimostrerà il protagonista nel finale che, con un atto coraggioso e altruista, renderà possibile l'inizio di un futuro diverso, sacrificando sé stesso. E' davvero un buon film che consiglio, ben lontano dalle solite produzioni del cinema mainstream, anche se a mio avviso la violenza di alcune scene simil-videoludiche, pur apparendo ormai d'obbligo in quasi tutti i film d'azione più recenti, rischiano di alimentare pregiudizi nei confronti di questo bel lavoro. Va detto, tuttavia, che le stesse sono eseguite magistralmente. Sui problemi che alcuni utenti hanno riscontrato con il formato blu ray non posso pronunciarmi, perché ho preso la versione dvd a due dischi di cui non mi posso davvero lamentare.

Excelente pelicula con Chris Evans, es una historia distopica basada en un comic frances, el dvd tiene buenos extras, recomendado

" Ordnung ist die Barriere, die uns den frostigen Tod vom Leib hält. " Kurz nach dem Einsatz von CW- 7 überzog Eis den Planeten. Alles Leben wurde ausgelöscht. Die Wenigen, die in der rettenden Arche Platz fanden, sind die letzten Überlebenden der Menschheit.................................. mit diesen zu lesenden Worten beginnt dieser Endzeit- Thrillerfilm. Ein Film, der mich von Anfang an mit seiner düsteren Atmosphäre, seinen unglaublichen Bildern fesselte. " Eins ist sicher- er wird bald sterben. Und wenn das passiert, mußt du übernehmen.......du übernimmst den Zug......." . - " Ich bin kein Anführer. " - " Wenn du mich fragst, halt` ich dich für ziemlich gut. " Wenn man mich fragt,- ist es übertrieben? Ist es wirklich Utopie? SNOWPIERCER: Ich bin geflasht. Ich muß ihn weiterschauen. Ich darf nichts verpassen. Und ich werde ein sicher erstaunliches Fazit verfassen................................... ************************************************************* Story: Die Welt im Jahr 2031: Ein Versuch, die globale Erwärmung zu stoppen, ist fehlgeschlagen, katastrophal. Und hat stattdessen die Erde in eine neue Eiszeit gestürzt. Nahezu alles Leben ist ausgelöscht, unter Eismassen begraben. Die wenigen verbliebenen Menschen fristen ein Dasein in ständiger Bewegung- sie sitzen auf dem Snowpiercer fest, einem gewaltigen Zug, der durch eine " heilige " Maschine ununterbrochen angetrieben wird................................................... *********************************************************************** Mein wuchtiges, reichhaltiges Fazit: Toll, utopisch(?), unterhaltsam. Spannend vom ersten bis zum letzten Wagon. Pfeif` auf die schlechten Bewertungen- ich sah ihn trotzdem. Und saß wie angeklebt oder angewurzelt vorm Bildschirm, vor der Flimmerkiste. Und tatsächlich, der AUCH vielgehypte SNOWPIERCER ist wahrlich ein faszinierender Film- mit großartig gestalteten Szenen, welche den gesamten Film lang ihren bizarren Charme behalten lassen. " Ihr Undankbaren! Ihr bekommt Essen und Unterkunft! Und bedankt euch mit gewaltvollen Krawallen! Vierundsiebzig Prozent von euch werden sterben!! " Ein künstlerisches Meisterwerk in meinen Augen. Es wird gekämpft, gestorben und die menschliche Seele ein wenig gequält. Eine internationale Großfilmproduktion als Zwischenbericht auf der zunehmenden sozialen Vergletscherung: SNOWPIERCER von Bong Joon- Ho ( The Host ) lässt Stars und Maschinen unser Elend beschleunigen. Und wenn der ganze Schnee verbrennt........................., je gründlicher unser Planet verhunzt wird, desto wahrscheinlicher wird für das Ende des laufenden und den Beginn des nächsten Jahrhunderts das erste Auftreten der neuen experimentellen Staatsform " Ökodiktatur " - die Welt, die der Film voraussieht, ist eine lebensfeindliche Eishölle. Menschen überdauern darin nur als abgeschottete, streng hierarchisierte und nach Wagons segmentierte Notgemeinschaft. In einem Zug, der nirgends hält. Und in dem daher alles, was geschieht, die stete Wiederkehr des aussichtslosen Immergleichen bedeutet. Der Krieg der letzten Menschen.....utopisch? Ergriffenheit- SNOWPIERCER wird mir noch lange zu denken geben. " Was ist? Sie sehen wie ein Verrückter aus. Als hätten wir nicht schon genug Verrückte an Bord............". Und der tolle Score setzt zusätzlich noch einen drauf. Sechs Sterne! Lauflänge: 120.47 Minuten ( mit Abspann ) ! Extras: - Making of= 14.28 Minuten ( natürlich klasse! ) ! - Making of Spot! - Special Animated Clip! - Production Sketches ( Diashow ) ! - Teaser, Kinotrailer, Trailer! SNOWPIERCER: Eine reichhaltige Bombe!

Snowpiercer is a very interesting film, certainly not for everyone. The 4K is a good product, but the digital does not work in Canada.